Actualités des professeurs et chercheurs

Avec État des lieux, les artistes commissaires Alexane Morin et Lucie Le Bouder visent une interprétation du lieu, de l’espace. Plus qu’une communauté d’artistes rassemblés autour d’un seul médium, chacun – sculpteur, vidéaste, peintre, artiste investissant le dessin, appartenant à trois générations différentes et provenant de plusieurs pays d’Europe – intègre dans son travail la dimension d’une architecture : la plupart des œuvres de l’exposition, volumes, peintures ou dessins liés à l’espace ont été pensées pour LaVallée.
/ Marion Daniel / (extrait du texte d’exposition)

REIGNS
by Damien Cadio
2 March – 6 April 2019

Bilderdijkstraat 165C
1053 kp Amsterdam

The paintings of Damien Cadio are as much about their images as they are about painting itself. In the exhibition Reigns the artist follows his desire to paint flowers, through which he retraces historical notions of beauty lost throughout modernism, and questions the idea of the still-life as an obsolete genre. Starting by making the actual flower pieces in his studio, the French artist photographs his models from various angles even before thinking about what precisely to paint. It is a delicate interplay between the physical reality of the flowers, pure paint on a canvas, and the history and tradition attached to the medium. While the spectator in the end just gets to see a painting, it is only the result of a more elaborate proces that all together elevates the painted flowers beyond notions of narrative, language, and even reality itself. The flower pieces in Reigns are, therefore, not so much bouquets as they are scenes. Flowers and petals appear almost weightless in contrast to the snails. They seem frozen in time, and are given a certain tension that refers to events that are not caught in the frame of the painting. The paintings are rich and disorientating. A softness is combined with an untraceable threat. The images are full of desire, but also of a poetic sadness, and while they contain stillness, they are also shrouded by a bit of mystery, never revealing what exactly happened in the scene, and why. The way the images are suddenly cut off by the end of the canvas fills them with momentum, while the slowness of the medium itself suspends the spectator’s gaze. They are intense moments that seem to last forever.

photographie / dessin /peinture

SOYOUZ 18 exposition collective du 1er au 15 décembre 2018.
Galerie Olivier Meyer 104, rue Paul Bellamy à Nantes
Ouvert du mercredi au samedi de 15h30 à 18h30

Avec les oeuvres de Pauline Bastard, Daphné Boussion, Delphine Bretesché, Sylvie Coulon, Justin Delareux, Charles Dreyfus-Pechkoff, Alice Godeau, A.c. Hello, Dominique Lacoudre, Marjorie Le Berre, Hélène Matte, Caroline Molusson, Charles Pennequin, Bertrand Rigaux, Danny Steve, Philippe Szechter, Philippe Thomassin, Christophe Viart, Yuri Zupancic.

MOYENS D'ACCÈS :
En bus : lignes C2, 12 et 23 : arrêt Bel air En bicloo : Station 85 : Bel air
En Bicloo : Station 85 : Bel air
En tramway (10 minutes de marche) : Ligne 3 station Viarme - Talensac En tramway (10 minutes de marche) : Ligne 2 station Motte rouge
En voiture : Parking Bellamy (Impasse de la Courtine)